Motorsports in Black and White ll

Black and White motorsports photography while once the norm is now a speciality form of photography. Many try it, few do it well. In this day and age fo high megapixel color photography, black and white gets relegated to a seldom used, or just lost art form.

When considering wether too process a photo for black and white, the first thing you have to understand is that not every shot will look good in this medium. Shots with busy and distracting backgrounds will not work. Next you have to consider the subject matter. Dark blue, green, and black cars or bikes are likely to lose a lot of detail in conversion, and just look like a badly underexposed image. Packs of multiple vehicles close together will leave the viewers eye wandering trying to find the main subject of the shot.

When going through your work, look for shots with one or two subjects isolated on a relatively clear background. This will take the viewers eye directly to the main subject. From there they can explore the rest of the image. If the background is slightly blurred, that makes it even better. Overcast and rainy days also lend themselves well to black and white. All in all you should choose your subject matter carefully.

As for tools, any image editor will give you good results as long as you take the time to learn what you can do with the tools at hand. Spend some time experimenting with sliders and filters to squeeze the most you can out of your software. Just selecting convert to black and white from a preset menu will give you mediocre results at best. I’m partial to NIK Filters Silver Effects for black and white conversion. There are several other stand alone, or plug in programs out there, but this is my personal favorite. So all that is left to do is jump into the deep end, and see what you can create.

Article inspired by Kurt Roussell @ Fast Car Photos.

Joel

The Story Within the Story

It is to me the story within the story from this weekends Michelin Pilot race at Road Atlanta. The race crowned a season champion in the form of Jan Heylen driving the number 16 Porsche for Wright Motorsports. However the real story for me was the winning TCR car, the number 5 Alfa Romeo Giulietta driven by Tim Lewis and Roy Block.

So, why is this the real story to me? It is the fact that this plucky little TCR car this year managed to overcome a number of reliability issues that has plagued it for the past two years. Wins at Road America and Road Atlanta, and top 5s at Lime Rock and Sebring made it one of the most successful seasons to date. And then there I the matter of carrying on the tradition of one of the oldest names in motorsports. I am always rooting for this car simply because of the racing heritage it carries with it.

Joel

My Choice, GT

It’s the kind of subject that can spark endless arguments and debates, but I just have to get it out there. For me the only type of racing I can see myself never getting tired of is GT racing.

In my youth the first kind of racing I ever paid any real attention to was Formula 1 and IndyCar. Not from being able to attend any races, It was from reading about these series. I read anything I could get my hands on about racing in general. There was a newsstand in front of the “L” station near my house, and the guy who ran it knew I was interested in auto racing, and would get magazines from his distributor and hold them until I came by. It was in reading the varied magazines I bought from him that I discovered sports car racing such as, Can-AM, and Trans-AM racing.

Before this it was IndyCar, NASCAR, and Drag Racing. Being from the inner city midwest, that was pretty much all we heard about. Upon reading about the different road racing series I began to lose interest in IndyCar, and later NASCAR. However these were still the only televised series, so I continued to follow them for the most part. On the rare occasion they would show sports car racing on TV, it would be edited to fit within a 60 to 90 minute time slot with commercials. Lots of commercials.

My interest in IndyCar faded after some time, but returned when they began to run majority road courses. The cars and level of competition has improved immensely in the past decade also. As for NASCAR, my interest level dropped significantly when they decided the words “Stock Car” in their name was no longer relevant. Then there is also the matter of 40 plus car fields (at least 10-15 of whom should not be out there) riding around in a circle waiting for someone to cause several of them to crash into one another.

So with all that said just what brought on this whole line of thought? Watching the TOTAL 24 hours of Spa, and one of the most exciting endings I have seen in some time. Seeing Dries Vanthoor’s Team WRT make the perfect call to switch to rain tires just before a downpour to get the race lead from Ferrari. Then watching Alessandro Pier Guidi recover from a huge deficit to catch, then pass Vanthoor on the outside in the rain and drive the Iron Lynx Ferrari 488 to victory. It started me to thinking just how many times I have seen close, exciting racing like this in GT racing. Then there are the intangibles for the fans that go along with this type of racing.

For all the technological brilliance that goes into Formula 1 and Prototype race cars, they are never something you can (or will) ever see yourself owning or driving. While cars in GTE, GTLM, GT3, and especially GT4 are you cars you can aspire to someday owning. You see many of these same cars on the streets of your town, you know the names, Ferrari, Lamborghini, Porsche, Corvette, Aston Martin. All the way down to the GT4 ranks where you see Mustang, Camaro, Elantra, and Supra. Picturing yourself behind the wheel of any of these cars is not hard given the right circumstances.

 

So the rest of you enjoy your Formula 1, NASCAR or any other racing you are into. I have nothing against any other form of racing, and I shoot many of them, but if I were forced to choose just one, it goes without saying that it would be GT racing.

Joel

MotorSports in Black and White

Black and white photography in motor sports seems to have always been a matter of necessity more than choice. At the origins of auto racing it was pretty much all there was. Photography and racing are two technologies that grew up side by side. In later years as color film became more prevalent, and less expensive, it was only natural that many photographers would take advantage of it. But in being able to present it to the public at large there was yet another more important hurdle to overcome, printing.

To bring the news and action of racing to the interested masses required the ability to write the story as well as publish photos from the events. At the time auto racing began, it had not been that long since the ability to print photos in magazines and newspapers had been invented. Half toning, a process of using dots of ink of varying size and intensity to form a picture, had only been developed in the 1890s. This allowed publications to use actual photos instead of illustrations to present the news. When it came to sports, and auto racing in particular, the only other limiting factor of the day was the camera equipment available at the time.

Large box shaped cameras of the earliest days required a tripod, and a very brave soul willing to stand mere inches from speeding cars to capture the action. What we are able to do today (and from farther away) with our digital cameras, and 500mm lenses would probably seem like alchemy to someone from the 30s wielding a Graflex Speed Graphic with a fixed focal length lens.

In today’s world, black and white photography in motorsports is a very much overlooked tool of the trade. When you look at old racing publications of the 50s through the mid 80s you will notice that only the cover, and a few center pages are in color. This was mainly due to the printing cost as well keeping the publication’s need to keep the magazine at a reasonable price. So most of the ordinary shots were relegated to the black and white pages. Those thought to be the best were given the color pages.

Today we have the luxury of choosing the shots that are best suited to black and white. We have the ability to make exposure and lighting adjustments to enhance the image and mood we are trying to convey. What we can do in a few hours of post production on a computer, would have taken days with chemicals in a darkroom. Thus we get to use it more as an art form. While this was the intent of all photography at one point, the demands of the commercial world soon beat that out of us. While black and white in motor sports is largely overlooked, when it is used, it is often done with mediocre to abysmal results. Mostly because the photographer doesn’t take time to learn the tools they have at hand, and many don’t take time to determine whether the shot is well suited to to the medium. When done correctly, the results can be quite stunning. Tools such as levels, curves, dodging and burning can go a long way toward adding contrast, and breathing life into what may otherwise be a flat image.

Landscape and portrait photographers were among the first to fully understand the power of black and white photography. Color film became available in 1904, yet many chose to stay with black and white. Looking at the work of Ansel Adams, Walker Evans and Gordon Parks and trying to imagine them in color yields disappointing results. I’m sure they understood that the very essence of photography was the difference between light and shadow, and color could not adequately portray this.

So what’s a photographer to do? My solution is to make a cup of coffee, find a comfortable place to sit, and re-read one of my books on the basics of photography. Not digital, or film, just photographic technique. This normally resets my brain, and makes me think a bit more before I shoot.

Joel

Single Make Series

Overview

The car pictured at the top of our story is a Maserati Grand Tourismo of the now defunct Maserati Super Trofeo series. This series suspended operations at the end of their 2016 season, and has not come back since. One of the primary reasons was due to the age of the car. As of this date it is now a thirteen year old platform that still has not been updated. Conversations I have had with Maserati at first promised a return of the series with a new car, and now a statement that they are refocusing their efforts on a luxury SUV line. While the series was very competitive and entertaining, this was not enough for a company with one of the oldest names in Motorsports to keep it going.

This highlights what can happen to a single make series when it’s manufacture loses interest. Thankfully for us there are other single make series who have not suffered this fate. This brings us the long way around to the focus of this article, single make series. These series are sometimes called “spec” series. This is technically not true. On the enthusiast or club level this is a more accurate term. Also in development series such the Road to Indy series the term may be applied. In single make series drivers are from all levels of proficiency, although a driver may be listed as an amateur, it only means they do not make they’re living as a race driver. It has nothing to do with driving ability.

Porsche GT3 Cup

There is no shortage of Porsche only series around the world. Some even run by Porshe themselves as driver development series. Since 2005 this popular U.S. and Canadian series has provided some truly exciting racing. Many of its drivers honed their skills here before moving on to other series. There however a few gentleman drivers who continue to run here either full or part time. One note to add is that this series through the years has had some of the best liveries seen on a race car.

Lamborghini Super Trofeo

While having been around since 2009, Lamborghini Super Trofeo North America has only run since 2013. With the addition of North America, it is another three continent series. There are four classes of competition. Pro, Pro/AM, amature or AM, and LB Cup. This has become one of my personal favorites. Many of its drivers compete here as well as other series, often in the same race weekend. It has a mo ster season finale with cars and drivers from all three continents competing against their own region first, with the top points earners moving on the the finals to complete against the top drivers from the other regions.

Ferrari Challenge

First run in 1993 Ferrari Challenge is what known as a series for “gentlemen drivers”. Participants purchase and maintain their own cars, and pay all entry fees, sometimes with a little sponsorship help from friends. The level of talent pretty much runs the gamut from pure amateur to professional. Like similar series, there are divisions in the U.S., Europe, and Asia.

Saleen Cup

This is the latest in the single make series. Starting mid 2019 with the development of the Saleen S1, this looks to be an entry level series for new driver development. Starting in mid season 2019, there are plenty of bugs yet to be worked out. Some with the brand new Saleen S1 developed for this series, and street production. Others with competitors and racing rules. There is not a lot that can be said about this series just now having only a partial season under its belt. What can be said is that it looks to have a lot of promise. One cool idea for its inaugural season was using historic liveries from famous race teams.

Mazda MX5 Cup

Exciting, competitive, close racing, and fun. These are just a few of the descriptions you will hear to describe the Mazda MX5 Cup series. Boring, dull, uninteresting. These are terms you will never hear to describe it. You would be hard pressed to find any other sports car series this closely contested. More often than not the winner is decided on the last lap.

Wrap Up

The series listed are either pro or development series run in the the United States, and Canada. There are many more amateur, hobbyist, or local single make series.

Joel

GT 3 Racing

It’s the sort of topic that comes up when you are sitting around chatting with friends. You also see it on social media. It goes something like this. If you were stranded on an island what record, food, or other possession would you want to have with you. Sometimes its one item or three. But the concept is the same.

So the other day I was thinking how could I apply this to motorsports, and this is what I came up with. You are stranded on an island with a big screen TV which receives a different auto racing series on each channel. You have to tune to one, however once you make your selection the TV can no longer be tuned to any other channel. It will pick up only the channel you choose from now on. What will it be, Formula 1, IndyCar, NASCAR, NHRA, Prototype, maybe Moto GP or MotoAmerica. You get the point.

I’ll let you ponder what your choice will be, but for me the choice was easy, GT racing, and GT3 in particular. I have had different favorite series through the years, but I always come back to GT. I wish I could say for sure why, but I believe it isn’t any one thing. The one that first comes to mind is they represent the finest in automotive engineering that is available to the public. They are not purpose built cars that are designed only to be used on track, but modified versions of street cars, albeit expensive ones. None the less they inspire dreams, and give us something special to wish for. Then there is the shear variety of cars.

– Ferrari
– Porsche
– BMW
– Lamborghini
– Audi
– Mercedes AMG
– Acura
– Lexus
– McLaren
– Aston Martin
– Bentley

 

Also the level of competition in these series around the world is hard to match. And then there is the option of cheering for a favorite driver, car make, or team. I’m sure after I am finished writing this I will think of more, but that should give you an idea of my thinking on the subject. Now you can mull it over and come up with your own favorite.

joel

A Farewell to Porsche

While the flat six of the Porsche made a very distinctive sound, I think the first thing I noticed about them was what sounded like a small explosion when it shifted gears. However it is a sound we will now only hear in the GT3 class.Porsches decision to pull out of IMSA’s GTLM class further reduces a field that was suffering from the loss of Ford at the end of 2019. I’m assuming that they will continue their GT3, and Porsche cup series participation.

We are left to imagine what could have been if…
– Ford had extended their contract for one more year
– Ferrari would decide to spend a dollar and field a team
– Porsche had remained
– All with the new Corvette coming on line

As far as I know this does not effect the GTE series, or other overseas racing. We have seen it before, and will see it again. Teams come and go as priorities shift. We can only hope this drought won’t last long.

In the past other teams besides the factory entries have carried the Porsche banner in IMSA’s top GT tier. So we honer them as well.

IMSA Mid Season

As the IMSA WeatherTech Sports car Challenge heads into the final stretch, things couldn’t be tighter. With the points standings close in all classes, now is not the time for errors.

DPI: The closes race is in the DPI class with only twenty points separating the top five contenders. While Dane Cameron and Juan Pablo Montoya in the number six Acura sit atop the driver standings, a recent surge by Tristan Nunez and Oliver Jarvis in the Mazda has moved them into striking distance. With this small of a margin, one bad race could be disastrous.

 

LMP2: There is a dead heat between Matthew McMurry, Kyle Masson, and Cameron Cassels. With this being the case it truly is a case where no one can afford to make a mistake.

 

GTLM: There is  just over a twenty point swing here with Earl Bamber and Laurens Vanthoor of Porsche leading followed closely by their teammates Nick Tandy and Patrick Pilet. However both Corvette and Ford team drivers are very close behind especially since the 67 Ford of Ryan Briscoe and Richard Westbrook just broke the Porsche two race win streak.

GTD: This is the only class with a clear gap between leaders and second place. Trent Hindman and Mario Farnbacher enjoy a thirty point advantage over Bill Auberlen and Robby Foley. Judging by by last weeks run this may not change any time soon.

All in all the next four races should be be quite exciting and eventful.

BlancPain GT World Challenge North America

I have always looked up to the Pirelli World Challenge as one of the most forward thinking series in racing. Many of the changes in other series that we take for granted have come out of world challenge. Among the most important were first the adoption of the GT3 standard, then the GT4. Both of which are used in Europe and Asia. With the adoption of GT3, car counts and team participation grew enormously. It provided a competitive and cost efficient platform for teams to build on. The next year IMSA adopted the standard for it’s GT Daytona class.

When World Challenge went to the GT4 standard for it’s GTS class, not only did it produced more participation, but in it”s first season it brought cars to the series that had previously only raced in Europe and Asia. Cars such as the Sin R1, KTM XBow, and the Ginetta G55. These cars raced against Mustang, Camaro, Porsche Caymen, and Maserati. It was at the very least an interesting mix of car makes. IMSA’s Continental Tire Sports Car Challenge (now Michelin Pilot Challenge) was suffering from plummeting car counts and team participation. However since going to GT4 they have seen a resurgence, fielding as many as 37 cars per event, and the level of competition among cars is close from green to checkered flags.

Their latest move is probably my favorite. By joining the with the BlancPain GT series they are now part of a worldwide GT racing series. Something I have wanted to see in North America for some time. For years the only option I had to see GT only races were YouTube videos from Europe. Having such a series here in the U.S. is just what the doctor ordered, for me anyway. Now billed as the BlancPain GT World Challenge North America, they compete with Europe and Asia for Driver and Manufacture championships. Another welcome change is longer races with pit stops for driver and tire changes. In the old 50 minute sprint format, due to caution and red flags, I have seen races with as little as 20 minutes of green flag action. This was very disappointing to everyone involved. While GT3 is, and will always be my personal favorite, the level of competition in GT4 is truly outstanding. It is the kind of racing that always has you looking forward to the next event.

So what next? Maybe a couple more races on the calendar, but definitely one or two more in the in the interior of the country. Whatever the future holds we can only hope that it further adds to the excitement of GT racing in the U.S.

joel

Juncos Racing Update

I wrote an article previously on two teams that compet in the Road to Indy series and had moved up to the top tier IndyCar series. One of these teams was not done yet, and decided at the end of 2018 to expand into the IMSA WeatherTech Championship with an entry in the competitive Prototype DPI class.

Since their entry into American racing Juncos Racings’ mission has been to find and develop the most promising and talented new drivers for the series in which they compete. Their current crop of drives for the IMSA series consist of successful young talent just ready to make that next step to the top of the motorsports ranks.

– Kyle Kaiser: A name known from the Juncos Pro Mazda and Indy Lights Program.
– Rene Binder: A third generation racer with Extensive European Racing Experience.
– Will Owen: From USF2000 to Pro Mazda to European Le Mans, and now WeatherTech.
– Agustin Canapino: From 2014 to 2018 he has been winning championships in his native Argentina.

With this being their first year, it is only natural to look at this years results a learning experience with expectations of much better things to come.

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